For William Garcia, music isn’t just a passion—it’s a calling, a lifeline and a way to serve others. At 36, the Venezuelan-born cellist has followed a remarkable path that led him from a hospital lab to the stage of the Mary Pappert School of Music.

Before arriving in Pittsburgh, William spent years building a career in health care while he held a position in a professional orchestra. He worked as a lab manager in a hospital, earned a graduate certificate in public health management and taught as a university faculty member in Venezuela. “I was grateful to support people, especially in underserved communities,” he says. “It wasn’t always the most prestigious setting, but it was meaningful.”

Yet, despite professional success, he found himself missing something deeply personal—music. “At some point, I realized I had to reconnect with that part of myself,” says William, who began training in voice performance and resuming cello, diving back into a world that once brought him joy.

The turning point came during an opera performance. “When I walked out to take my bow, the crowd was so loud and full of energy,” he recalls. “That feeling—I was surprised, but I knew in that moment that I was doing what I was meant to do.”

Years later, that clarity led William to 㽶Ƶ, where he has completed an Artist Diploma in Performance and is preparing to graduate with a Master’s in Music Performance, studying under renowned cellist Adam Liu, an adjunct in the music school. “He’s more than a teacher—he’s like my American Dad,” William says. “He doesn’t just teach you how to play better—he challenges you as he challenges himself. From technique to career readiness, he’s helping me prepare for the professional world in every way.”

William Garcia with young cellists and their instruments
William Garcia, far right, taught the masterclass Prepare Your Mind and Unleash Your Musical Potential in Trujillo, Venezuela.

William credits Duquesne for his confidence and trusting himself. His education at the music school also has opened new doors. “The school gives us connections to the professional music world,” he says. “And playing in orchestras around Pittsburgh, taking interviews and learning how to engage an audience—those experiences have taught me so much.”

His commitment to service remains strong. In May 2024, William returned to Venezuela to lead a masterclass for nearly 100 young cellists in Trujillo. Many lacked access to teachers and instruments, so William collected donated strings and supplies to bring with him.

His class, titled Prepare Your Mind and Unleash Your Musical Potential, focused on emotional intelligence and mindset. “It was about more than technique,” he says. “It was about showing them what’s possible. For me, it was very inspiring.”

Young cellists sitting with their instruments
William Garcia teaches a masterclass to nearly 100 young cellists in Venezuela.

Outside the practice room, William performs as a soloist in a local church and dances actively with Los Sabrosos Dance Company’s salsa team. “Both are essential to my growth and well-being,” he says.

William’s perspective on life is also shaped by a powerful personal experience: at 13, he suffered a stroke and underwent brain surgery. “Doctors told my mom I wouldn’t survive—or that I’d be blind. But here I am, and I can see. I’m literally a miracle,” he says. “That made me see life differently. You need to live it day by day and recognize that every step forward matters.”

His motto? “More positive than a proton.” It’s a phrase that captures his optimism, strength and gratitude.

As Garcia looks ahead, he envisions a future where performance and teaching go hand in hand. 

“For me, music is life. As a musician and as an artist, we can make a real contribution through music,” he says. “It’s not just about teaching the notes, but teaching in a way that influences someone’s life. That’s one of my goals—to keep performing, to keep growing and eventually to give back through teaching.”

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April 28, 2025